RND/ To consider the recent death of ‘visual futurist’ Syd Mead and the telling lack of critical analysis of his glossy art and style. In which its sinister underlying political ideology appears to mirror that of Disney’s hyper-corporate Tomorrowland: In my premise [..] there were these enormous structures going up 2000, 3000 feet, and decentContinue reading “A Clean, White Tomorrowland: Towards A Critique of Syd Mead”