RND/ To consider the glitches in the videographic reality of team-based, tactical Middle East FPS “Insurgency: Sandstorm” as the very thing preventing it’s radical (ideological) desimulation in the player’s mind:

Nameless locations with nameless conflicts
– PCGamesN

1920 x 1080 .jpg – screenshots via Steam Community

That is, “The fact that ‘It’s Just A Game (and therefore I can act without consequence or conscience)’ becomes it’s own political reality.” Glitches – emergent errors, unforeseen graphical or physics bugs, discontinuities, inherent ontological gaps between presentation and meaning – all precisely serve not to question the Universe Of Videogames (“The Video Real”) but rather to reinforce the common notion that ‘none of I.T is real – and therefore I don’t have to change my behavior (as a hypercorporate Player-Consumer) in this ideological space’.

And yet despite this state, the uncanny surface strangeness of such images still exists (/albeit conceptually) as a symbolic warning of the true cost paid for public fantasy – ie. the violent dominance of the existence of such ‘Videographic’ fantasies themselves, over and above any actual, daily, as-lived political realities. This is what Jean Baudrillard called the violence of images. When everything is seen, viewed, displayed, seems utterly naked through the fact of its constant and unceasing appearance, life itself becomes entirely virtual – a pose, a bad stage act, an attitude, a pathological stylistic affectation. Today the role of The (/Professional) Gamer has become the only real game in town. Never mind that one can now regularly show one’s true face through proudly displaying one’s public mask of Gamer – say that of a casual mass murderer, government hired killer, soldier of racist war crimes – appearance, the surface void of The Video Real provides all the immunity and impunity one needs. To act as if none of this remotely matters, precisely because it’s (ie. our entire reality-fragment) is already entirely virtual.

Already fatigued through seeing, with hypervisibility we become blind. What seems needed is virtual reality exposure therapy – V.R.E.T. – therapy for exposure to virtual reality. In this sense, videogame images themselves are militarization, weaponization.

Hyperreal Military PC Videogame screenshot photography exhibit

// how to play big science

RND/ to consider P.A.N.I.C.S. – An Open Crowd Sourced F.E.A.R Game. In the sense of an Eternal Return.

From an idea by Roosterteeth. Images via Zero Hour game (Steam Community screenshots), 1920 x 1080:

It is 1984. You are Frank Custom, rookie member of Brav0 Squad, a special military group secretly formed to battle ‘supernaturally weird’ enemies and save survivors in the disturbingly empty city of Fairport.

===

Featuring the following conceptual elements:

  • Overwhelming emphasis on Atmosphere and ‘cinematography’.
  • Smalltalk at (somehow predictable) odds with the wider immediate (action-adventure) context.
  • A spiritual successor to F.E.A.R. An ‘otological horror shooter.’
  • Has as bizarre style / Unlife of it’s own.
  • It’s all about actively avoiding being Killed, Mutilated or Possessed by Dark Strange Imaginary Forces – and the shocking social consequences if you are, eg. no longer being invited to parties.
  • Intense, camera-never-pulls-away-scenes of ‘People behaving oddly’.
  • No gore, just Gut Churning Dread.
  • Takes place in Fairport, also known as Ghost City; turns out the entire city is a mass virtual grave and it’s very reality is Haunted (ie. no supernatural events per-say take place.)
  • “It Was Supposed To Be A Routine Mission”
  • You Imagine It’s X But (It’s So Much Worse), aka “There’s something very wrong with this place.”
  • Having to work at some point with the Perps you’re fighting in order to survive
  • R.D.S Radical Desimulation Scenario aka “Zero Hour” – ‘all these dimensions are starting to collapse’.
  • “There’s something weird in Room 302.”
  • “There’s a perfectly logical explanation.”
  • “You need to be thinking about the system.”
  • Helmet ‘Chuck’ noise.
  • Secret code word “Corduroy.”
  • “Wild-ass freaky shit.”
  • Fearing totally cool team mates Spoon, Herzog, Vapor, and Wizard with PhD’s in Badass Mother-ology.
  • Frosted cinnamon Danishes.
  • Charged electric skeletons.

// how to play big science