New Age Gallery

RND/ potential art studies in new age mode

blue crystals of knowledge emerge from body of sleeping reader

as crystals of knowledge emerge from sleeping widow

new landscapes for wanderer in search of wisdom

vast megaliths of human information moving over time – neurochemical ice flows on astral narrative plane

sleeper awakes feeling existentially lighter yet more solid/ biomagnetically connected to ir own soul data accumulation / accretion

astral workspace

astral workspace

inner red eye mountain mode

atlantis zombie jebus

atlantis zombie jebus

in which to imagine new age digital conceptual painting tentatively entitled for example atlantis zombie jebus

rusted partial reboot of 70s nuclear family/ in lab background hear bad tune playing eg in year 2525/ zager evans 1969

christian riese lassen invisible newage dolphins

rnd/ to consider some more truly translucent digital conceptual research based around invisible newage dolphins fish coral of christian riese lassen

christian riese lassen invisible newage dolphins

to visualize swell of wave x translucent color/ flaming sunset on horizon or moon reflected on oceans surface – endless variations created by surge pull of merman tide

to see dolphins whales/ reef fish/ amazing panorama of underwater life/ just some of mythic wonders x christian riese lassen as world renowned for recreating in ir magnificent water based rat

x as though merest idea of notion of thomas kinkade had manifested as entire maui based alternative /to reality

as fellow mythic resarcher geoff wode might say/ surfs up scientists

etched on geomantic stone

quote/ although early modern mapmaking was born of shogunates attempts to impose spatial order on x newly conquered realm makers of printed maps / ir publishers – most of whom were urban dwellers of merchant class – provided new perspectives / creative energies that fuelled unprecedented expansion / diversification [/of mapmaking in] tokugawa period
– from mapping early modern japan: space place / culture in tokugawa period /1603 1868 by marcia yonemoto – bracketed emphasis mine

etched on geomantic stone

example artistic statement

theorist robert what: in which any official human mapping of landscape also always private cognitive mapping of elf as n indirectly mis relates to perceived local environment

critical ever present distance / tension between ancient quote scientific attempts at figuring out lay of land / personal often unconscious structuring of world – as one thinks one knows n results in unique cartographic sorrow – panoramic cognitive melancholy yet still blessed with geomantic potential for holistic enchantment

in which such maps manifest to evoke both ongoing erosion of such cultural mapping / advancing radio waves / neural disturbances of scientific /geoengineering modernity

featuring kanji 哀 /ai – quote sorrow / displays invisible energy nodes / lines

alchemist in ir study

virtual rat experience

the alchemist in his study

example artistic statement via theorist robert what: utilizing multiple overlayed textures from quote polished look of doom 3/ colours evoke thousand year old lacquer jewelry boxes from asia containing what feel like secret ancient martial arts scrolls on advanced internal alchemy

freejazz bardo

theorist robert what: free jazz bardo – where charlie parker blows ir lsd sax in outer beyond / reverberating hard bop echoes form joyous birth pangs of intense new alien reality

freejazz bardo

to consider design evokes faded tibetan paper hanging scrolls or tales of faded magic prayer rugs / reflect mystical hyper dimensional deities seen in ancient tibetan bonpo shamanism

temptation of saint martin

to imagine angular visual remix of in concert pose of some talentless warbler – so bland / beige whole legions of roman cavalry choirs cannot save ey

// how to play big science