Hypertography One Exhibit: Genocide Dolphins

RND/ imagine the nakedly crass sounding spectacle of Genocide Dolphins

Part of the Hypertography One Exhibit

via radiant silver labs

performed as casual thought experiment – who such a developer would follow on social media – the result as mildly astounding / somehow unlikely

Example Artist Statement via Resident Internet Theorist Robert What

Where such virtual train wrecks have in common andor express an unconscious appreciation for raw kitsch/ aesthetic of failure, blithely slacking off cheesy public performances of outsider art like obscurity – blandly tasteless remixing of precisely the wrong elements in disjointed / hyper fragmentary order (as though living through a garish cognitive chaos storm of anti-epic proportions.)

In which its not only a dubious aesthetic decision to include the word ‘genocide’ in one’s title, but also steamy scenes direct from sketchy, low rent side of modern industrial development aka Sketchyware – amazingly janky R&D videogame spaces constructed via Triple ZZZ industry hangers on / wannabees; cowboy desperadoes, hyper scammy ‘Shay Dee’ types – maybe even straight up media hacks and data parasites. Fly-by-night cowboys with that burning ‘Welgestyle’ (don’t worry, old reference) – a whole emergent fuck-cottage industry of weirdo grifters, etc.

// how to play big science